#TGCTV VX-FILES INSTRUMENTAL by Mac3G

MAC3G - FULFILL THE DREAM

MPC3000

PROTOOLS

MAC3G - LAKE OF FIRE

MPC3000

PROTOOLS

MAC3G - 11/26/2011

MADE WITH REASON 5

MADE WITH REASON 5

11/07/2011 by Mac3G

MADE WITH REASON 5 & PROTOOLS

ANOTHER THROWBACK BEAT FROM BACK IN 2007

MAC3G - FOR WHAT ITS WORTH (2007)
SAMPLE : BUFFALO SPRINGFIELD - FOR WHAT ITS WORTH

PRODUCED BY JOSH CADENA AKA MAC3G IN 2007
http://www.facebook.com/Mac3G

ONE OF THE FIRST BEATS I MADE WHEN I GOT MY MPC 3000 BACK IN 2007.

MAC3G - AFRICA (2007)
SAMPLE : TOTO - AFRICA

PRODUCED BY JOSH CADENA AKA MAC3G IN 2007
http://www.facebook.com/Mac3G

For What Its Worth (2007) by Mac3G

MPC3000 
PRO TOOLS

ANOTHER THROWBACK BEAT FROM BACK IN 2007

SAMPLE : BUFFALO SPRINGFIELD - FOR WHAT ITS WORTH

Africa (2007) by Mac3G

MPC 3000 
PRO TOOLS

ONE OF THE FIRST BEATS I MADE WHEN I GOT MY MPC 3000 BACK IN 2007.

SAMPLE : TOTO - AFRICA

MAC3G - DEVIL CHORDS - CAMILLE SAINT-SAENES - DANSE MACABRE (HIP HOP CARTOON)

Cartoon Designed And Illustrated By : David Prebenna
This Originally Aired on PBS In The 1980’s Its One Of The Best Short Length Halloween Animations Ever Created.
http://www.youtube.com/watch?v=9CHqhsMP80E

Sample Info :
Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns.
http://www.youtube.com/watch?v=YyknBTm_YyM

The composition is based upon a poem by Henri Cazalis, on an old French superstition: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed.

According to the ancient superstition, “Death” appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year.

The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the “Devil’s chord”) played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo violin. The rest of the orchestra, particularly the lower instruments of the string section, then joins in on the descending scale. The main theme and the scale is then heard throughout the various sections of the orchestra until it breaks to the solo violin and the harp playing the scale. The piece becomes more energetic and climaxes at this point; the full orchestra playing with strong dynamics.Towards the end of the piece, there is another violin solo, now modulating, which is then joined by the rest of the orchestra. The final section, a pianissimo, represents the dawn breaking and the skeletons returning to their graves.

The piece makes particular use of the xylophone in a particular theme to imitate the sounds of rattling bones. Saint-Saëns uses a similar motif in the Fossils part of his Carnival of the Animals.
[from Wikipedia]

PRODUCED BY JOSH CADENA AKA MAC3G IN OCTOBER 2011
http://MAC3Gproductions.tumblr.com/instrumentals
http://www.facebook.com/Mac3G